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William Neill

William Neill, a resident of the Yosemite National Park area since 1977, is a landscape photographer concerned with conveying the deep, spiritual beauty he sees and feels in Nature.  Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally, including the Museum of Fine Art Boston, Santa Barbara Museum of Art, The Vernon Collection, and The Polaroid Collection.  Neill received a BA degree in Environmental Conservation at the University of Colorado.  In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography.

Neill's assignment and published credits include National Geographic, Smithsonian, Natural History, National Wildlife, Conde Nast Traveler, Gentlemen's Quarterly, Travel and Leisure, Wilderness, Sunset, Sierra and Outside magazines.  Also, he writes a monthly column, On Landscape, for Outdoor Photographer magazine.  Feature articles about his work have appeared in Life, Camera and Darkroom, Outdoor Photographer and Communication Arts, from whom he has also received five Awards of Excellence.  His corporate clients have included Sony Japan, Bayer Corporation, Canon USA, Nike, Nikon, The Nature Company, Hewlett Packard, 3M, Freidrick Grohe, Neutrogena, Sony Music/Classical, University of Cincinnati, UBS Global Asset Management.

His work was chosen to illustrate two special edition books published by The Nature Company, Rachel Carson's The Sense of Wonder and John Fowles's The Tree.  His photographs were also published in a three book series on the art and science of natural process in collaboration with the Exploratorium Museum of San Francisco: By Nature's Design (Exploratorium / Chronicle Books, 1993), The Color of Nature (Exploratorium / Chronicle Books, 1996) and Traces of Time (Chronicle Books / Exploratorium, Fall 2000).  A portfolio of his Yosemite photographs has been published entitled Yosemite: The Promise of Wildness (Yosemite Association, 1994) for which he received The Director's Award from the National Park Service.  A retrospective monograph of his landscape photography entitled Landscapes of the Spirit  (Bulfinch Press/Little, Brown, 1997) relates his beliefs in the healing power of nature.

William has taught photography since 1980 for such prestigious organizations as The Ansel Adams Gallery, the Friends of Photography, Palm Beach Photographic Workshops, The Maine Workshops and Anderson Ranch Workshops. He specializes in landscape and nature photography and is concerned with conveying the beauty seen in Nature.
 
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Delicate Aspens I
WN105
Delicate Aspens I
William Neill
Maximum Size: 40 x 60 in (152.4 x 228.6 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Delicate Aspens II
WN106
Delicate Aspens II
William Neill
Maximum Size: 60 x 40 in (228.6 x 152.4 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Delicate Aspens III
WN107
Delicate Aspens III
William Neill
Maximum Size: 40 x 60 in (152.4 x 228.6 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Giant Sequoia Forest
WN108
Giant Sequoia Forest
William Neill
Maximum Size: 60 x 40 in (228.6 x 152.4 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Autumn Dogwood Forest
WN109
Autumn Dogwood Forest
William Neill
Maximum Size: 60 x 40 in (152.4 x 104.6 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Autumn Impressions
WN110
Autumn Impressions
William Neill
Maximum Size: 60 x 40 in (152.4 x 104.6 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Winter Forest I
WN111
Winter Forest I
William Neill
Maximum Size: 60 x 40 in (228.6 x 152.4 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Winter Forest II
WN112
Winter Forest II
William Neill
Maximum Size: 40 x 60 in (152.4 x 228.6 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

Winter Forest III
WN113
Winter Forest III
William Neill
Maximum Size: 60 x 40 in (228.6 x 152.4 cm)
POD
PPR(S)  PPR(T)  CVS  ACR  ALU  BMB  
    

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